Fryderyk Chopin University of Music / Dance Department

DANCE - Ballet Pedagogy - repeated enrolment mode, first-cycle

Level of study: first-cycle Form of study: full-time Education profile: ogólnoakademicki Duration: 3 years

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Table of contents:

Fields of studies and specializations

Conducting units

Enrollment

from 2020-08-01 to 2020-08-31 23:59:00

Language

Polish

Description

Having obtained the intended learning outcomes, graduates in the Specialty of Ballet Pedagogy obtain a BA degree (licencjat) and a teaching qualification. They are prepared to teach dance in all techniques, forms and  styles included in the curriculum of ballet schools. They are also predestined to teaching theoretical subjects connected with the art of dance. They have professional and teaching qualifications necessary to work at different institutions of culture, schools, ensembles, clubs, etc.

Classes are held in a form of sessions (Sundays, Mondays) every two weeks and continuously during winter session (January/February) and summer session (June/July).

Admission rules

The enrolment procedure is competitive and its results are public.

Tests

  • test of practical and theoretical skills covering the techniques, styles and forms of dance: classical, contemporary, folk and characteristic dance – sending audio-video recordings

Scope of material

For candidates for Year 2: practical and theoretical exam covering topics in: classical, contemporary, folk and characteristic dance.

For candidates for Year 3: practical and theoretical exam covering topics in: classical dance with di-dactics, contemporary dance with didactics, folk dance with didactics and characteristic dance with didactics.

Literature

  1. I. Turska, Krótki zarys historii tańca i baletu. Warszawa 1983.
  2. J. Rey, Taniec jego rozwój i formy. Warszawa 1985.
  3. B. Sier-Janik, Post Modern Dance. Warszawa 1995.
  4. I. Turska, Spotkanie ze sztuką tańca. Kraków 2000.
  5. R. Lange, O istocie tańca i jego przejawach w kulturze: perspektywa antropologiczna. Poznań 2009.
  6. A. Rembowska, Teatr Tańca Piny Bausch. Sny i rzeczywistość. Warszawa 2009.
  7. W. Klimczak, Wizjonerzy ciała. Panorama współczesnego teatru tańca Kraków 2010.
  8. Tańcząc piórem. Nauka w służbie Terpsychory. Redakcja H. Raszewska. Warszawa 2014.
  9. Tomasz Nowak. Taniec narodowy w polskim kanonie kultury. Źródła, geneza, przemiany. Warszawa 2016
  10. Tańce polskie. Polonez, krakowiak.  Redakcja K. Carlos-Machej. Warszawa 2016.

Date of exams

14.09.2020 - 18.09.2020 (on-line)